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The
Cure
Greatest Hits
(Elektra Entertainment)
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Words by Jen Kriesel
Bonanzaradio.com
November/December, 2001
Artist site:
www.thecure.com
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The Cure
Greatest Hits
That
Robert Smith has often managed to be as sultry, passionate, emotional,
sigh-&-moan-y, and just downright funky as Prince earns him
a sticky handful of integrity points scored on behalf of doughy,
pudgy, geeky, outcast weirdo geniuses everywhere. That his talent
lurks behind a wrecklessly perfect smudge of blood red lipstick
and his own ozone of hairspray has also, unfortunately, relegated
him to the "perpetually underrated" bin of songwriters.
This new eighteen song collection of some of the most well-known
Cure songs is titled "Greatest Hits." But it is fundamentally
an insult to their living legacy. Seven of the tracks were previously
featured on the definitive singles album "Staring At The
Sea," released way back in 1986. Nine other strokes of genius
from the decade-plus interim were included in a second singles
collection, "Galore," which came out in 1997. So why
this record, why now? "Bloodflowers," The Cure's most
recent album of original material (released in 2000) was a gorgeous
sequel to their masterful "Disintegration" - a most
pleasant surprise and an incredible collection of work. However,
not a single song from that album appears on "Greatest Hits."
Is the measurement for these "Hits" commercial recognition,
radio airplay and sales success? If so, why apply such yardsticks
to an artistic anomaly like The Cure?
The "limited edition" of this "Greatest Hits"
release includes a second CD featuring acoustic versions of all
songs on disc one. It turns out to be a fantastic opportunity
wasted. "Acoustic" does not have to mean "lame
and boring." Especially for a band with such writing and
performance talent, there is plenty of room for exploration of
instrumentation, arrangement, nuance and flavoring within the
acoustic realm. Instead, it sounds like someone set up a few microphones
in an unplugged Cure rehearsal and didn't even bother to mix it
before release. Every track is a stark, same-tempo, stripped down,
straightforward and unexciting performance of the electrified
counterparts. With no liner notes other than basic song credits,
no inclusion of the official band web site URL, no band history,
no commentary, no thanks list, did Robert Smith or anyone from
The Cure's camp even approve this release? Why - as is apparent
on the album web site - was one of the best Cure songs ever ("Pictures
Of You") removed from the tracklisting? Shame on Elektra
for tossing together this half-assed tease of a retrospective.
Realize, please, that The Cure will be eligible for - and unequivocably
deserve to receive - induction into the Rock & Roll Hall of
Fame in just three years. How many bands whose first record came
out in 1979 are still around, creating great music, writing moving
songs and creating incredible albums? Of those, how many fall
into the "alternative" genre or have never deviated
from their unusual, innate style, have shirked the quest for typical
commercial milestones? Respect for Smith's being a complete freak
while maintaining a devoted following for this long is well deserved.
The Cure have influenced countless bands, inspired by the sensitive,
gloomy nerve often touched by their meticulous rhythm structures,
intricately beautiful, haunting guitar lines, and the decadent
images described by poignant lyrics. Cure songs have always seemed
initially to be simple pop constructions, but are in reality much
deeper, moving, passionate creations. Live, no matter what the
line-up, The Cure have never failed to enrapture and marvel their
audience, and fans continue to clamor relentlessly for tickets
to every tour they mount. They have always been masters of mood
while overcoming cheesy cliches of getups and glumness.
If anything, Cure fans old and new should have a full-scale box
set in their black nail polished hands right now. While it could
be lined in velvet and come with a tube of Robert's favorite red
lipstick, Aqua Net, a teasing comb, clove cigarettes and the Cliffs
Notes version of "Goth for Dummies," it SHOULD contain
many overlooked tracks, new remixes, rare b-sides, live versions,
perhaps a DVD video collection. There are myriad ways to pay tribute
to The Cure's career, to compile a worthy summation of what this
inspired band has accomplished and conveyed. A cornerstone band
that's given twenty two years of sublime talent, like The Cure,
deserves a far greater honor than this.
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